Showing posts with label sri lankan photography. Show all posts
Showing posts with label sri lankan photography. Show all posts

Thursday, May 15, 2014

Gang Wathura - River Flood


Official death toll: 300 and counting
Missing: 2,000 and counting.
Homeless:  150,000 and counting.
Headlines: ‘Hospitals jammed.’ ‘Schools closed due to illness.’


I see each image.
The smiling thirteen-year-old boy. The remains of his house.
The now lazy river, which fed by days of torrential rain,
ate his father and brother. Ate his bed and the kitchen where his mother
cooked his rice, the photo of his grandfather on the wall.
Ate it all for lunch.

Still the boy smiled.
Standing there on the red-painted slab – once the floor his mother swept.
His mother gone mad. Her mind too full of images of Thaththa being swept away,
too mad to care – for herself. For her boy. For dewdrops glistening
in the early morning light.

I see them all.
Can almost feel their weight in the camera, the outline on the digital screen;
the line of people carrying food, clothing, water, boxes of schoolbooks and pens.

Walking through emerald green rice paddies.
The sun’s soft golden light on their shoulders.
Shadows dancing around them like flash card images.
The broken bridge.
The raft made from a banana tree.
The photograph of the dark-haired, dark-skinned girls, its edges curled,
Wrapped around a tree twig as if the photo were a bracelet. Sisters.
Their arms entwined. A happy time.
For a moment I thought, Maybe I can find them.

I walked away
leaving the bracelet on the tree’s wrist. Untouched.
It was not mine to disturb. Nothing was.
It all belonged to the flood.

Deniyaya, Southern Province
May 2003


This young boy lost his father and brother in the
river floods that swept his house away. His mother
lost her mind with grief. When we arrived with aid,
the villagers had taken charge of caring for the boy.
He motioned for me to photograph him standing on
what was left of his life as he had known it. I did,
but my emotions almost made it impossible to focus the camera.

The sad bracelet.

Bamboo raft that helped search for stranded neighbors.

Wet and shivering, this girl was brought
to the other side of the river by the
bamboo raft.

Bringing supplies.

The floodwaters were so high at this Sinharaja Forest
monastery, that the monastery's ten monks spent four days
perched in a Bodhi tree until the water receded.

This young monk is looking
at the devastation outside the monastery.

I went up to help with aid, with 13 monks in a van.
They are not suppose to sit next to a woman, so I had the
whole back seat to myself as they were crammed in
together. This monk is looking at the destruction. Hard to
believe it, had we not seen it.

The road had fallen down and the monks were
determining whether we could get the lorry by the collapse.

Fallen electrical lines also stopped the lorry,
full of water, clothing and food.

Boys queue for food rations, excited to see
the foreigner  in their village.

Landslides caused major damage and
fatalities during the May 2003 floods.

Check out our Sri Lankan wedding photography, travel photography, portrait photography, female photographers, commercial photography at our website at: http://www.shadetreeSL.com
© ShadeTree Productions



Wednesday, May 14, 2014

Happy Walima! Great Crowd! Great People!





Monday might we photographed another Muslim Walima (several days after the wedding celebration), that was put on by the groom’s family. It was at the Convention Hall in Colombo, where we did our first Muslim wedding. That time, there was 1,200 guests. This Walima there was a mere 600.

My other female photographer was still sick and so I did the women’s side alone and Lipton Jayawickrama did the gent’s side. I’m always nervous when working alone. I don’t know why, because I’ve done it enough that I should be confident. But I get nervous – that’s just how it is.

There was no need for a case of the nerves, for this Walima was so laid back. The bride and groom came in together and then sat on the throne. I took a couple of photos and then the groom left for the men’s side. The groom's sister (she was the coordinator) kept telling me to sit and rest, and she'd tell me when to photograph whom.

But I can't just sit, so I wandered around the giant room. I took pictures of ladies at this table and that table. Many were in full black covering, and didn’t want their photos taken. No problem. When I showed the groom’s sister, she didn’t know half the people, so I stuck with her for a while and when she sat down at a table to chat, then I took the pictures of the ladies at the table. Of course she’s not going to know all 600 people.

Lipton was quite busy on the men’s side. The groom's family wanted photos of every table. On my side, when the family was eating at the head table, they asked me to take a photo of them eating. It is really, really against my principle to take eating shots. I don’t think they are attractive at all and so at first I said no, but then I said that I’d only take the photo if everyone stopped eating. They seemed a bit shocked that I’d say no, but they were such a good and polite crowd that to stop eating seemed reasonable to them.

When it came to take photos of the family (the family all get up on the throne and photos go on forever), they were at first pretty serious when the camera captured their image. But leave it to the loud American (that would be me) who loves to make people smile, and laugh! Especially if they react as wonderfully as this family did – it just egged me on!

This family is strict about no couple photos or family group photos to go on the blog or onto Face Book. I always abide by family's wishes, even though I’d love to post pictures of the couple and of the smiling family. But here are some details shots, which will give you an idea of another Walima.

Father of the bride (left) and a Sri Lankan Minister
of Parliament in white.

Ministers are always honored guests.

The family's head table.

The gent's side.









Fairy lights on all the walls.



Details of bride's saree.


The bride's bouquet.

Candy is traditionally given out to all the guests.


The cake box with the couples' names.

Check out our Sri Lankan wedding photography, travel photography, portrait photography, female photographers, commercial photography at our website at: http://www.shadetreeSL.com
© ShadeTree Productions


Monday, May 12, 2014

Many Hands Beat the Drum!


My friend Stefan Thelen came to Sri Lanka from Germany. He’s a celebrated musician and of course he wanted to check out where they make the famous Sri Lankan drums. And of course, I had to tag along and see what was what.

The Sri Madura, Musical Instruments Maker, in Matara (Southern coast) was the only drum maker our guide Nadasiri knew about. When we walked in, there were goatskins tacked to boards everywhere. And flies, too. Lots of them! Before that, I had never thought that a drum skin was from an animal. I had actually never given it a second thought.

Inside the dimly lit shop, people were measuring and making final touches to the skins before they were placed onto the wooden drum. Stefan was in 7th heaven, playing this drum and that drum. I was just trying to get a good photo under the strange lighting circumstances.

Stefan finally found the drum he was meant to have and began the process of bargaining for a price. He came away happy and so did the drum maker.

Back at the hotel, where I lived and Stefan stayed for a 3-week visit, we organized a drum fest using a large raban drum, which is a drum that many people play. The skin has to be heated to get a good sound and so a small fire is lit underneath the raban. At times, while playing, it gets pretty smoky and my eyes would tear up, making everyone laugh!

It takes full concentration, at least for me, to get the beat right. The locals, who are experts at drumming, play faster and faster and faster and I tried my best to keep up with them, often tripping over my own hands. I loved it! So much so, that I went back to the shop and bought a small raban to take back to the US for my grandson.


Stefan checking out the many goat skins.

Skins drying in the hot Sri Lanka sun.

The drum maker's shop.

The drum maker at work.

Tacking the goat skin to a raban drum.

Stefan figuring out which sound he liked.



Stefan with his new drum.

Nadasiri (left) our guide and the hotel
gardener (in green), who is a fab drummer!

The gardener lights the fire to warm the skin.

People sit around the drum to play it.

Many hands!

Check out our Sri Lankan wedding photography, travel photography, portrait photography, female photographers, commercial photography at our website at: http://www.shadetreeSL.com
© ShadeTree Productions